Mail Truck
Framing
Give your artwork the presentation it deserves with our premium framing option. Each frame comes with the print already mounted and ready to hang, hassle-free.
Frame Details
Material: premium oak
Frame Thickness: Approximately 2 cm
Glass: Real glass providing clarity, lasting protection, and reduced UV exposure to help prevent fading
No Mat Included: All artwork features a built-in border that acts as a mat, creating space between the print and frame
Colours: Available in Black or Dark Walnut
Frame Features
Turn‑buttons: Secure or replace your artwork easily
Sawtooth Hanger: Hang vertically or horizontally
Protective Corners: Ensures safe shipping
Hanging Nail: Included with all premium frames
Multiple Sizes Available
Available in a variety of standard sizes to fit most prints. Our premium frames combine high-quality materials, and practical features to make your artwork ready to display immediately.
Fun mini print inspired by mail trucks that I've seen around Los Angeles.
Shipping Info
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Worldwide delivery
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Free Shipping to USA and UK
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TAXES INCLUDED - No Hidden Costs
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Free replacement if damaged in transit
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Carbon neutral shipping
I’m a London-based illustrator creating a love letter to Los Angeles through art. Each piece celebrates the city’s warmth, light, and architecture.
FAQ
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Yes! Almost every print is available in a premium black oak or walnut oak frame, professionally assembled and delivered ready to hang straight to your door.
You can see all framing options and details here. -
If you’re in the USA, your print can arrive in as little as 2 days, ideal for a last-minute gift! For other countries, see here for estimated delivery times.
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No! All of our prints are produced and shipped from the USA (or UK if ordering locally), so you won’t encounter any hidden tariffs or customs fees on your order. The price you see at checkout is the total price you pay.
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No need to worry, if your print is lost or damaged in transit, we’ll send you a free replacement right away.
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No, every piece is created digitally by hand. I spend hours researching Los Angeles architecture and history, then carefully draw each illustration in Photoshop. It’s a process rooted in passion, not automation.
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